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I saw before me, Tuscany:
Sunlit splendor, Umbria
Naming colors
Orchard fresh
Cold marble stirred to life
Venus stepping from her shell
Clothed in breezes soft as
Rich lingering velvet
Pouring out slow glory
Over stubbled fields.
Brunelleschi's domes aglitter
Among the barns.
For a moment, on a Carolina
Porch, I tasted
Italy and life
Resembled art.
Now, forty years from then,
Juiced with ginned-over
Memory, I eat
Plums amid Burnt Sienna
Blooms, my modest hills
Landscapes dipped in honey.
What are we, but
Cunningly organized particles
Stirred by whatever
Tickles or disrupts?
Or strings, perhaps strings,
vibrating out into the spheres
Where some force,
For want of better pastimes--yanks?
We pray, lift voices in psalms,
Pulsing joy, anger, quasars
Speeding up toward destruction.
Permanent or not.
Maybe some parallel
World awaits, magnetic arm
Thrust out from a tear
So deep no one,
No thing returns.
But what if
All paths disintegrate
Toward ecstasy?
Trajectories
Stretching to Starfields
awakening
Tiny Gods
Bursting forth in spasms
Of delight?
2.
Son pours out constellations of Cheerios
Into his milky bowl,
Spoon to mouth like black hole stirring stars.
Around his place a galactic army,
soldiers on important missions, monsters
offering heroes a chance to shine. Outside
Our sun-smeared window,
Sunlight striking Earth.
His face a perfect sun of innocence.
If you could choose,
Would you
Be plucked
Or stirred?
Glenda Bailey-Mershon's poetry has appeared in journals, most recently in Appalachian Heritage, and inĘtwo chapbooks, sa-co-ni-ge/blue smoke: poems from the Southern Appalachians (Jane's Stories, 2005) and Bird Talk (Wild Dove, 2000). She teaches writing in community workshops and edited three volumes of Jane's Stories anthologies. Her interest in local history and writer's lives has resulted in numerous interviews that appear online and in various archives. She is now at work on a novel set in small-town Georgia among people who choose everyday between truth and hypocrisy. (April 09)