WATERWHEEL
Whatever is under doesn't mind
the turning. You might think it terrible
to be threshed so, pummeled to the point
of not knowing the difference between yourself
and water. But silt is silt. Hay is hay. I will show you
the way the light shines off the water. The way
the water braids your hair. The way millions
float and shine like stars. Like the great comet
that brightens the horizon while you toss in
your sleep. As you dream of the water-bearer
who falls from the sky for the sake of
rearranging his atoms, for the sake of
the fall, while you lie there dreaming,
ankle-deep in the river.
NU CITY
She spent two days in bed with
the same god and declared it
dull. The incompatibility, she admits, should have been
evident: her chakras are like
the stems of pears, his, broccoli leaves.
But her latest paramour has arms
like test tubes and burrows
in the back yard for the perfect
amethyst crystal. For an insignificant sum, he will manufacture
stalagmites out of thin air and rescue
small children from the mouths of trombones.
She is studying to be a virgin and is
encouraged by earthquakes and maladjusted
asteroids. Foundations are at this minute
being challenged, she says. The man who used to
turn on a dime can no longer be trusted
to grease the wheels. And we must invest only
in celery seeds--by this,
our path will be clear. The space people lately
said as much when they set their hats down
in the desert. Yet no one
invited them to sweat (thereby we were
a mockery). Still, there is time
to turn ourselves inside out.
On the outskirts of town, a flock of mockingbirds
sits on a telephone wire, waiting
C. John Graham lives in Santa Fe, New Mexico and serves as the safety manager for the LANSCE particle accelerator facility at Los Alamos National Laboratory. He was the poetry editor for The Santa Fe Sun in the mid-1990s. His poetry has appeared in Birmingham Poetry Review, Blue Mesa Review, Black Moon, and Moria, among other publications, and also in the first issue of The New Mexico Poetry Review. (September 09)