Selected Work

        by Victoria Edwards Tester












        Descent


        I come from people who would not forgive.

        They were Spanish Protestants who ran like hell from Cortrai
        to Holland and New Amsterdam,
        damning the Inquisition,

        and they were the Inquisition.

        They were Puritans who painted their kitchens in Connecticut and Massachusetts
        the bright blue of angels, and led frail old women
        to the gallows if their bones creaked against any trespass,

        and they were also those cursing old women.

        They were Scots and Welsh who dreamed their iron and arrows
        like a thousand deaths of San Sebastian into the English army,

        and they were the English army.

        They were Indians, Potawatomi and Apache who nearly laughed themselves to death

        when they were taught to love their enemies,

        and their enemies were also my people.

        I too would rather laugh myself to death than die
        at the hands of an enemy, even if he is my relative.

        Or forgive anyone who's truly wronged me
        or maybe only just slighted me
        or anyone else in my family, or even a friend,

        unless they're on their knees near my front porch
        for at least one whole winter,
        and even then, covered with sparrows.

        And I am also those sparrows
        and in this year of Nineteen Hundred and Ninety-nine,
        I beg the Spirit of forgiveness to forgive me.


        Hawk


        That hawk was riding a tumbleweed, blown
        seventy feet into the air. Looked like for the fun of it.
        Whoever thought of that.

        Joy in riding a fragile world of brittle skeleton
        you know you'll lose at the first rain
        to a rusted fence or the bottom of an arroyo.

        But there hasn't been so little rain in forty years.

        The neighbor says the oaks are going to die,
        and don't worry, even if the rainy season comes,
        these mountains are a lightning rod.

        I turn away. They say she sleeps with her father.
        They say they run bulldozers over the ancient burials, hoping to leave
        at least one small bowl unbroken.

        They say it's easier to be an oak struck by lightning.
        That a tall burned snag is another
        of God's holy fingers.


        Broken Glass


        On December 22, 1882, an old newspaper
        reports a demented woman was sent from Georgetown
        to the Grant County Jail.

        Sheriff Whitehill is at a loss,
        poor creature, New Mexico law makes
        no provision for paupers or the insane.

        Her name, where she was born, or if she had a sister
        who loved flowering dogwood branches
        are secrets lost among the broken colored glass,
        the pioneer tears
        I've gathered among fallen mining shacks.

        I wonder if it was the brothel.
        If it was one man, or one-hundred.

        If it was a small crack in a treasured Tiffany lamp
        that split her like kindling.

        Or the disease of a season,
        not too far from midnight singing to the mountain
        mahogany, maybe taking a small one for a child
        to forget the one in the cemetery.

        I wonder if she went to California, on
        one of those wagonloads of the insane.

        Someday I'd like to make a stained glass window
        from these sharp tears I've stolen
        from the earth.
        But it would never go inside a church.

        It would hang against the sky,
        in memory of everyone who broke.


        Bill Evans Lake, 1999


        The last cold Sunday of the millenium
        we fished among the waterweeds and the chamiso.

        My son looked into the gold
        jewel eye of the black duck
        and the secret eye of the crane
        and swore that he'd live, too.

        I prayed every dark road in him
        would lead to a place like this:

        where he must have been before.

        Not the two empty beers in an old fire.
        Or the shirt sleeve the other boy cut away with a knife

        so he could take a pure animal shit
        behind the junipers.

        Or maybe those, too.

        I'm talking about deep water
        ringed by mountains, and delighted
        creatures staring back and willing to live

        under the same sun, the same shadows.


        The Histories


        When we sleep the deer return
        for their bones.

        They drink through the oak leaves
        floating on the waterhole.

        They turn towards the naked hearts
        we hide behind storm windows.

        They trample us like thunder. Like whisky, and the histories
        blowing through the verbena at dawn.

        Midnight when I piss in the blue enamel pot,
        I know it is useless, they're not deer at all.

        They're an army riding towards us,
        on the backs of the wrong horses,
        in the wrong winds.

        And they will never go back beneath the oaks
        until we have given them
        our deep tears for their souls,

        and all we have ever seen of this earth's
        butterflies gathering
        pollen, for their bones.


        Victoria Edwards Tester lives in Santa Rita, New Mexico and in the Chiricahua Mountains with her husband. Her debut volume Miracles of Sainted Earth will appear in January of 2002 as the inaugural book for the Mary Burritt Christiansen Poetry Series by the University of New Mexico Press. The poems above are from her debut volume. You may contact the poet at: victoriat@gilanet.com Other work by her may be seen at the drunkenboat and purchaseMiracles of Sainted Earth at Amazon.com


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